Everything you need to know about control surfaces for all popular DAWs including Pro Tools, Logic Pro, Studio One and more. The latest news, tips and tricks on control surfaces.
The Avid S1 opened up the Eucon ecosystem at an accessible price point. If you’ve never tried one, check out these two videos which illustrate some of the most attractive features of the way these surfaces work together with Pro Tools.
SSL’s UC1 hardware was created to control the company’s audio plugin channels strips. Answering many users’ requests, now hands-on control awaits any third party VST3 audio plugin. We get up-close to see how 360 Link can supercharge the UC1 in more ways than one.
Engineers are being bombarded with information along the lines of “STOP DOING THIS”… Whether you’re a new engineer or just fancy a fresh perspective, here we flip that to talk about some positive techniques to get the mix most of the way there.
With all ears on the song’s vocal, using compression can be used to control levels, but also to shape voices creatively. Here we show you different ways to use two stages of processing to get the sound.
There are some things that all studios need. Whether you’re starting out and looking to grow your arsenal, or considering downsizing after years of retail therapy, here we outline some of the things that your studio will always need contrasted with those that can wait…
With so many amazing things vying for new engineers’ attention, knowing what to get first is never easy. With more audio choices on the table than ever before, here Luke talks about what would have made his life easier sooner.
Avid have released Eucontrol 2023.11. A compatibility and bug fix release which also removes the need for the plist fix which was previously recommended for the Eucontrol 2023.6 slowdown issue. We have the details.
Avid’s Eucon protocol allows tactile command of hardware monitor controllers from the console, but a recent development sees a pairing with the latest virtual controller for stereo and surround formats. We show you how to get up and running.
Whether summer means the beach or the ski slope, some engineers will still be in the studio taking in the sights and sounds of the newest gear and software from names big and small. Here we round up our favourite pieces from July.
When operating our DAW of choice, we hear talk about ‘committing things to muscle memory’. I’ve always understood what it means, but it’s not a phrase I personally use that much.
With Avid providing deep hardware surface integration for Pro Tools audio plugins via Eucon, those using other devices have had to work with greatly reduced functionality. Can one solution finally allow haptic heaven with any MIDI controller? We find out.
While recent statistics show Pro Tools’ continuing spot as the number one DAW in use for those recording and mixing to picture, here we list some of the video features that define four DAWs: Pro Tools, Studio One, Logic Pro & REAPER.
With each member of the Production Expert team narrowing down the product that makes their working life better, Luke Goddard talks about 2022’s contribution to his mixing inventory: SSL’s UF8.
The Experts team wondered what we thought people would want to find behind the windows of a dream studio advent calendar. Russ Hughes chooses the Kii Three Studio Monitors.
The Experts team wondered what we thought people would want to find behind the windows of a dream studio advent calendar. Paul’s next choice - The Avid S6
With seemingly limitless functionality at the engineer’s disposal, the modern DAW is pivotal to any mix done inside the computer. In spite of this, could the workstation be drawing too much attention away from the ultimate mixing technique?
Avid has announced the release of their Eucon control surface software v2022.9. We have the details.
If you own Presonus gear, Universal Control is the software that will help you get the most out of it. Here are our four things that it can bring to your studio life.
Mike retired at the end of 2021 and he suggests this gives him an ideal view to respond to the great question about what makes a classic in our business posed in our recent article What Modern Studio Equipment Will Become Classic? and why he believes we will see a lot fewer classics in the future.
Avid’s modular control surface ecosystem presents a huge number of permutations for potential users. Being able to visualize your facility’s console before it lands is essential if the most is to be had from it.
Sound Particles has announced Space Controller OSC, based on the original plugin Space Controller. We have all the details.
In this article Julian shares the reasons he chose the Avid S1 as his product of 2021. As someone who values space more than gear, what is it about the S1 which convinced him to surrender some of his desk space to the S1.
Back in 2013 Avid announced the end of the ICON control surfaces and the launch of the Avid S6. But that was over 8 years ago. The world has moved on, will there be a replacement for the Avid S6? Is it time for Avid to open up Eucon?
In this article, we have brought together an Expert Panel to share which control surfaces, if any, we use and the reasons behind our choices. We hear from people working in music production as well as others working on post-production. Some of our expert panellists work at home, others in larger facilities. If you are looking at buying a control surface you should read this article.
With more and more of us working from home, a lot of us need a control surface, but we rarely have space or the budget to have a large format control surface or console. However, to get the work done efficiently, we do need access to a control surface. In this article, we look at the control surfaces suitable for your home studio.
In this article we highlight several control surfaces we feel are very well designed and also represent great value for money that you can buy today for your studio from $600. These are fairly small in size and suitable for placing on desks. Do you use a control surface in your workflow? If so, what control surfaces can you recommend to the Production Expert Community?
Last week we reported that SSL have announced the UC1, However, in all the excitement it seems that most people missed a small detail in the launch info. Did you spot it?
Now that Avid Artist Mix control surfaces out in the field are all getting old and especially after they were made end-of-life by Avid when they released the Avid S1, users are finding that some of the faders are becoming unreliable. Although you can send your Artist Mix away to be repaired, if you are good with a soldering iron and you have the time, you can do it yourself and save a lot of money. We show you how…
British company Rocksolid Audio have launched a USB hardware controller which replicates an SSL channel strip in hardware. We have the details and a first hand account from an early adopter.
Already available as a compact hardware controller for the Waves eMotion mixer, with the addition of HUI and Mackie control this unit is now an option for DAW users looking for some hands on control.
We are creatives but most of us are not computer network specialists. However, with the growth of Audio Over IP and Eucon people may be using technology that we may not fully understand. In this article, we aim to explain, as simply as possible, tips you can implement to reduce problems with trying to get too much data reliably across your office or home network.
Eddie Jones from Avid has reported problems with any Eucon powered control surfaces following a recent Apple security update for users running macOS 10.14 Mojave or macOS 10.15 Catalina and now macOS 11.5 Big Sur. We have the details and download link of a workaround version of Eucon 2021.6.1.
Avid today announced the release of Eucon 2021.6, introducing amongst other things Custom knob assignments bringing control and consistency to the user experience when controlling plugins from a Eucon enabled device. We have the details.
Avid has also updated Avid S4 And S6 Control Surfaces software to v2020.11 bringing new features, we have all the details in this extensive article. Alongside the new EuCon 2020.11 and Pro Tools 2020.11 releases, Avid has also updated their S4 and S6 Master Module Software to v2020.11 bringing new features including Master Post Display Modules for PEC/DIR Metering and Folder Spill.
The Avid S4 console offers the robust workflows to audio post professionals for immersive audio mixing, sound design, ADR, and editorial. In this video, HHB’s Technical Support Engineer, Andy Copeland walks you through the modules most useful for the post-production workflow, including the dual joystick module and the PEC Direct module.
In a world exclusive, Post Production Expert Alan Sallabank, who has been beta testing the new Avid S1 control surface, together with the new Avid Control app, now available on iOS, Android and Amazon Fire, from prototype to production pilot, shares his experiences and observations in this very special review.
In all the excitement about the Android version of the new Avid Control app and the new S1 & S4 control surfaces, it seems that most people have missed a really cool new VCA Spill feature in the latest release of EuControl - Avid’s control surface software package, when just using a “fader pack”, such as the legacy Artist Mix or the new S1. We show you now…
The newly released Avid S4 brings the power and workflows of Avid’s Pro Tools | S6 control surface to small to mid-size music and audio post facilities in an ergonomic, more compact package. The S4 provides an integrated experience with any EUCON-enabled DAW. At IBC 2019 last weekend, Avid Evangelist Greg Chin sat down with UK product specialist Simon Sherbourne to show the new S4 close up and personal, whilst Avid’s Sreejesh Nair compared the Avid S4 with the Avid S6.
Back in July 2019, at the Avid Connect Live event, part of the Summer NAMM 2019 show in Nashville, Avid announced the Avid S1 control surface as a replacement to the Avid Artist Mix. Last weekend at IBC 2019 as part of their IBC coverage, Product Specialist Dave Tyler gave a much more detailed look at the Avid S1 and Avid’s Gil Gowing gave a sneak peek of the upcoming Avid Control app as well.
As a follow up of the release of Pro Tools 2019.6, Avid has released Eucon 2019.7 with an improvement to the “Open Windows on Workstation Attention” setting introduced in Eucon 2019.5 as well as a number of bug fixes.
Since the new monitoring section was added to the Pro Tools Control app for iOS devices with the release of Pro Tools 2019.5 and Eucon 19.5, we have had some questions about how it works and how it fits into a Pro Tools workflow. In this article, with the help of some free video tutorials from Avid, we shed some light on the monitoring features in the 19.5 version of the free Pro Tools Control app As well as how to control interface mic preamps using the Avid S3.
Following the announcement of the Avid S4 as the replacement to the M10 version of the Avid S6, Avid realised that existing Avid S6 M10 owners might not be very happy as the Avid S4 can have display modules, whereas if you wanted display modules with the Avid S6, you had to go for the M40 option. Consequently Avid has announced the Avid S6 M10+ which enables M10 users to upgrade and have display modules.
You won’t believe how little it would cost you these days to buy a second Pro Tools control surface which once cost over £60K brand new back in 2013. Are you tempted or is this type of bargain hunting pure madness?
In this article we give you an up close and personal look at the Avid S3 coupled with an iPad running the free Pro Tools Control app to give you and idea of what the S3 could be like to live with if you chose to invest in one for your studio.
If you are still using a HUI based control surface with Pro Tools and you find that the meters on your HUI control surface stop working then check out this article, we have the answer.
AVS Medientechnik GmbH has created a new brand Intelligent Studio Devices (ISD) and their first product is the ISD S6 PSU (Power Supply Unit), which is a special power supply unit for high-quality and interference-free power supply with additional functions for Pro Tools S6 M10 and M40 series control surfaces.
All small form factory control surfaces these days are very good in their own right although I feel that all of them lack a certain charm… something magic that… it’s hard to describe. This ‘thing’ I’m referring to is evident in the motorised 8 fader control surface and interface we feature in this article.
In this article we list six used Pro Tools Bargains that you can buy second-hand today for a fraction of what they would have cost you new. The article gives you information on support and compatibility with Pro Tools, technical faults to watch out for when buying one of these units used along with ballpark values based on units what they are currently listed for on eBay.
The Avid Pro Tools C|24 control surface is coming to the end of its life. As we mentioned in our comprehensive History Of Pro Tools, Avid announced the end-of-life date of the much-loved C24 as 31st December 2017, with an end of support date 5 years later as 31st December 2022. Does this mean that it is the end of line for the C24 or does this popular control surface still have a future? We investigate…
Paul Neyrinck has done it! He has released a new version of V-Control Pro that has initial support for Pro Control Main, Pro Control Faderpack, and Control 24 that only currently works with Pro Tools. Read the rest of the article for more details.
In this article we list a selection of control surfaces compatible with Pro Tools that are all available to buy today for under $500 - Have we missed any?
Following on from our article, Avid Quietly Discontinue Their Pro Tools HD Native PCI-e Cards and studying the Avid End Of Life article, we noticed that a number of Avid products pass their End Of Support Dates during 2018 including the Mbox Mini and all the black-faced D-Control And D-Command control surfaces. What should you do? We offer some help and advice.
Paul Neyrinck has released a progress report on supporting Pro Control and Control 24 in V-Control Pro so users can use these legacy control surfaces in Pro Tools 11 and above. He is also looking for a small number of beta testers with specific requirements.
Last month Paul Neyrinck got in touch to tell us that he is undertaking some R&D looking at possible new features to V-Control Pro that would provide support for legacy control surfaces like the Pro Control and Control 24 with Pro Tools 11 and above as well as other DAWs. We asked if you would complete a short survey and Paul has now announced the outcome of the survey and how he plans to move forward.
We have covered several attempts to get legacy control surfaces working with later versions of Pro Tools. Paul Neyrinck has been in touch to say he is undertaking some R&D looking at possible new features to V-Control Pro that would provide support for these legacy control surfaces with Pro Tools 11 and above as well as other DAWs.
In this article we celebrate all that's good about the C|24 along with some well-documented problems in its design, I suppose we could call this a review of the C|24... all be it ten years late.
AudioSwift is a new app for macOS that lets you use a trackpad as a control surface and MIDI controller in your DAW. You can move one or two faders at the same time, set the values of the pans, sends, master fader, write automation and use the trackpad as a jog wheel by using simple touch commands and without the need of moving the mouse pointer.
If you would like to be in with the chance of winning an Icon Platform M+ with Platform D2 display, worth more than $530, which is one of 31 great prizes on offer worth over $15,000 in total, then go over to our Win page and enter the prize draw competition.
Avid Artist Mix control surfaces can be purchased new between £800 to £900. Not bad value for money but not the cheapest point of entry into eight-fader control surfaces for Pro Tools either. Luckily, there is an alternative...
Our recent Poll on Control surfaces and Pro Tools received over 2000 responses. In this post we share a breakdown of the results data.
I often get to the point in a mix where having just eight faders & controls, on a small surface or touchscreen, starts to seriously impinge on my speed and efficiency. There are always compromises with small control surfaces. Has iCon managed to make these compromises in the right places?
In this review Pro Tools Expert Editor Mike Thornton takes a look at the JL Cooper MCS5 USB Media Control Station and sees what it can do with Pro Tools and how it can help streamline some of his workflows.
Should you buy a PreSonus Faderport 8 control surface to use with Pro Tools? Russ takes it for a spin and is surprised by the results.
In this review, Paul Drew takes a look at the Softube Console 1 British Class A Channel Strip using Presonus Studio One.
You can add body and character to your tracks with this Softube Console 1 strip inspired by classic British units from the 60s and early 70s. Paired with the workflow and hands-on control of Console 1, British Class A has been designed to give you the perfect mix solution for the DAW-based studio.
PreSonus make some very cool stuff these days with everything from their hugely popular digital mixers to audio interfaces and monitor controllers, live sound equipment as well as their DAW Studio One.
As I’ve already said, I’ve never been a fan of control surfaces, I always find myself looking at the screen and that then defeats the object of using them in the first place, however this was not the case with the Console 1, in fact I had been mixing for some time and the screen on my Mac went to sleep. I was mixing with my ears!