Another community member has offered to contribute to the site. This time it is Jamie Muffett who describes himself as a British Producer/Engineer/Mixer and musician working in New York City at Mercy Sound Studios in Manhattans East Village. Jamie starts with a quote from William Faulkner…

“In writing, you must kill your darlings.”

We all have our heroes who inspire us, but does this somehow hinder our own musical development? Sometimes it does, and that is what I want to talk about in this article.

When I talk with artists about the development of their music, referencing their inspiration is part of the process and helps to explain their vision. 

“I’m kind of thinking Metallica meets early 2000’s Shania Twain, you feeling me?”.

This is normal (maybe not that specific example), but this should only be a jumping off point. It’s a way to start the process but should not become an obsession that informs every decision throughout, especially when the artist has only one source of inspiration. 

In the advertising and TV/Film world there might be a very good reason for using an unknown artist as a good “stand in” for a known artist. Financially speaking, paying for an unknown artist who sounds similar to a known is often a cheaper option. That’s entirely different to being a unique artist in your own right. 

And being unique is my ultimate point. Everyone with access to a computer (so… pretty much everyone), is able to self-release their music to a saturated and often disinterested audience on social media. Apart from the obvious lack of originality and creativity, why would anyone be interested in an attempt at a Lumineers song when they could listen to an ACTUAL Lumineers song? And let me assure you, if you think you are cashing in on an artist’s fan base by attempting to sound like them, I would be very careful. Fans especially can be very protective and hostile to artists they deem are attempting to muscle in on their hero’s territory. 

When I start a new project with someone, we begin by discussing references and it gives us a jumping off point. This leads to new and fresh ideas and the end result can be unrecognizable from the artists we had discussed. 

Love him or hate him, John Mayer said this gem:

“it’s my failure to sound like my heroes that’s enabled me to sound like myself”. 

I’d love to hear your opinion on this: do you agree? Is there anything wrong with trying to produce music that sounds like your heroes? Are you doing yourself a disservice? Let me know…